Award-winning radio host Amaza Ntshanga has officially stepped into the music spotlight with the release of his much-anticipated debut AfroTech single, “Bana Yango,” featuring rising vocalist Jon Delinger, released on Friday, 6 March 2026.
Known for his influential voice on the airwaves and his deep passion for African electronic music, Ntshanga now channels that energy into the studio with a track that blends AfroTech rhythms, atmospheric synths, and soulful vocals. “Bana Yango” delivers a powerful sonic experience rooted in African dance culture while embracing the futuristic textures of the AfroTech genre.
The collaboration with Jon Delinger adds a captivating vocal dimension to the record. His emotive delivery complements the song’s hypnotic production, creating a track designed to resonate both on dance floors and across streaming platforms.
“Music has always been a huge part of my life through radio, but creating my own sound has been a dream for a long time. Bana Yango is about energy, connection, and celebrating African electronic music with the world.”
The release marks the beginning of Ntshanga’s musical journey as a recording artist, with more music and collaborations expected throughout the year. Early listeners have already praised the single for its polished production and authentic AfroTech sound.
With “Bana Yango,” Amaza Ntshanga transitions from behind the microphone to center stage, proving that his passion for music extends far beyond broadcasting. He secures a record deal with Asanda Empires for his debut single.
“Afro Tech speaks to my soul. It’s rooted, spiritual, patient, and intentional. It allows African rhythm to meet global electronic language without losing identity. For me, Afro Tech isn’t about trends, it’s about timelessness,” Amaza says.
With the release, he pairs to give his listeners a taste of his sound through a tour across the Eastern Cape, commencing on 21 March at Groovy Thursday event hosted by Asanda Empires at Chief Ngqoko’s Placein New Brighton, Gqeberha. Headlining acts include Phila Madlingozi, Mailo Music, Sosoboy Fosho, Gaffi, Meijar Probeats and many more.
1: Ngqoko’s Place, Gheberha – 21 March
2. Buccs East London – 27 March3. ProMax Butterworth – 28 March
“People can come out and enjoy as I give them a taste of what is to come in my new musical journey.”
The single “Bana Yango” is now available on all major digital streaming platforms.
Link: https://orcd.co/amaza1
QUESTIONS AND ANSWERS
How would you describe your AfroTech sound to someone hearing it for the first time band What is the significance of the song in your own life?
It’s deep, soulful, and meditative. It’s music you can dance to, pray to, drive to, or sit with in silence. It’s not rushed — it’s intentional. The single is a mark of courage. It’s proof that growth sometimes requires you to step into the unknown and trust yourself fully.
What themes or emotions do you aim to communicate through your music and What inspired your decision to make music?
Healing, grounding, hope, and self-awareness. I want people to feel seen and centred. My music is about inner conversations – the ones we often avoid. Radio has always placed me at the centre of sound, rhythm, and emotion. Over the years, I found myself not only playing music but feeling a deep urge to express what I was hearing and feeling internally. Afro Tech gave me the space to translate my experiences, my roots, and my spiritual journey into sound. It felt like a natural next step rather than a sudden switch. I never woke up and said, “I’m leaving radio to make music.” The desire grew quietly over time as I immersed myself in deeper sounds, late-night listening sessions, and moments of reflection. Eventually, the music demanded to be released.
How has your experience as a radio host influenced the way you approach music production?
Radio taught me discipline, storytelling, and respect for the listener. I’m very intentional about how a track starts, builds, and resolves, much like a good radio show. I think about the emotional journey, not just the beat.
Do you feel your years on the radio gave you an advantage in understanding sound and audience taste?
Absolutely. Being on the radio for over two decades has trained my ear. You learn very quickly what moves people, what feels honest, and what’s forced. That awareness definitely gives me an edge, but it also keeps me accountable to authenticity.
What was the biggest challenge you faced when moving from curating music to creating it?
Vulnerability. As a curator, you’re presenting other people’s work. As a creator, you’re presenting yourself. That shift requires courage to accept criticism, to trust your instinct, and to stand by your sound.
Are there African elements or cultural influences you consciously incorporate into your tracks?
Very much so. African rhythm, ancestral memory, repetition, and space are key elements. Even when it’s subtle, the spirit is African.
Do you feel pressure being a public figure entering a competitive music space?
There is pressure, but it’s healthy pressure. I’m not competing with anyone — I’m contributing. Once you understand that, the noise fades.
How do you see AfroTech evolving in South Africa and globally?
Afro Tech is becoming a global language, and South Africa is at the centre of that movement. The world is now listening more deeply to African stories, not just African beats.
Are you planning to continue with radio while pursuing music full-time?
Yes. Radio is part of who I am. For now, the two worlds complement each other beautifully.
How do you think your listeners and colleagues in radio will feel about this new chapter?
I believe they’ll receive it with curiosity and support. Many of them have watched this journey unfold quietly over time.
What has this transition taught you about yourself?
That I’m capable of more than I sometimes allow myself to believe. It taught me patience and faith in my own process.
You are beginning the year 2026 with a new song. What are your plans for the rest of the year?
More releases, collaborations, live experiences, and continued growth. I want to build slowly but intentionally.
What obstacles did you overcome in 2025?
Self-doubt, time constraints, and the fear of starting something new while being known for something else.
What were the lessons learned from those obstacles?
That clarity comes from action. You don’t wait to be ready; you move, and readiness meets you on the journey.
SUPPLIED.
